http://think-silly.com/2012/05/09/the-chalk-room/

Naturalis is one of GFSmith’s flagship uncoated papers. However, the misconception has been that it is an expensive ‘art’ stock. We were asked to create a promotion that reintroduced Naturalis as a quality ‘everyday’ paper.

Naturalis Works is a series of brochures and films designed around conversations with acclaimed craftspeople working across diverse fields. They support the belief that selecting the perfect materials is a critical part of the creative process.
Naturalis Works #1 looks at the work of British fashion designer, Oliver Spencer and how his almost obsessive approach to process and materials is at the centre of his

http://www.studiomakgill.com/disciplines/print_amp_communication/naturalis_works_1_oliver_spencer/details#img1020

Dance and theater program for the cultural center Südpol. The booklet is printed in size A6 using the Risograph technique.

http://www.feixen.ch/?p=1425

http://lovelystationery.com/2011/07/another-shirt-please/

http://www.thebureau.com.sg

http://www.behance.net/gallery/FrystadKlock/665486

http://www.septemberindustry.co.uk/egelnick-and-webb-recent-projects/

As one of the few soup-specialty outlets in Singapore, The Soup Spoon has led the charge in changing local perception that soups should be served on the side.

Meant as material for the media, its franchise partners and new recruits, this brochure boasts versatility by capturing in the form of an alphabet soup, the company’s culture and products.

Designed with interchangeable pages, the brochure maximises on its alphabetically laid out content by allowing information to be customised to cater to the different audiences.

http://www.couple.com.sg/2010/11/the-soup-spoon-brochure/

Designed in collaboration with artist Lim Tzay Chuen and writer Ray Langenbach, ‘A Work’ was produced to coincide with Lim’s art installation of the same name.

Inspired by Lim’s installation ‘A Work’, which consist of an automatic glass sliding door which leads one to exit the gallery space as well as Langenbach’s essay ‘Hidden Things’, each page is divided into six equal sections, to accommodate six parts of the essay. Part one of the essay occupies the top section of every page, while part two occupies the second section and so on. The text layout design thus require the reader to constantly turn the pages and look for the seemingly ‘hidden text’, navigating back and forth to read the entire essay.

The dotted line that divides the six sections of the inside pages is repeated on the cover. Together with an unbroken line, they represent the minimal nature of ‘A Work’: the opaqueness of the gallery wall and the transparency of the glass sliding door.

http://www.h55studio.com/selected-works-1/a-work-book/